An assortment of other crafts I have dabbled in. Over time I have experimented with many new techniques, and even if I don't frequently create projects with them, it's still very valuable to me to have learned something.
My biggest crochet project yet; I decided to make this bag when my sister crocheted me the moth (pattern here), so that I could sew it to the front of the bag as part of the flap. I used this pattern as the base shape, with the Primavera Flowers granny square and the Happily Ever crochet border along the flap. I also sewed a fabric lining with crochet pockets.
This hat was made by manipulating and draping sinamay, with instruction and guidance by Adi Bertacchi from Cappelleria Bertacchi.
I used a masquerade mask for the base, building up the shape with spray foam. I sculpted the wings with Worbla, created the antennae out of hot glue, and built fully see-through eyes with a framework of wire and covered in a reflective mesh. Heidi Wilkinson from Flying Fox Prop Shop guided me through this project with plenty of helpful tips, as I'd never worked with these materials before.
My second project with Heidi Wilkinson was this elaborate light-up lantern prop. The base was Styrofoam, with wooden dowels to maintain structure and durability. The panels and upper domes were Worbla, and once the shape was built I installed fairy lights to add some magic to this project. Inside the lantern, I sculpted mushrooms around the fairy lights out of foam clay, then painted it, added moss, and sculpted a tiny fairy with dried glue wings.
This buckram hat was my first foray into millinery, under the instruction and guidance of costumer and milliner Isabel Bloor.
My goal for this project was to accurately replicate the look of a glove that had been outside in the snow for a while, and was just holding a snowball. I used silicone for an icy effect in places that would melt, like around knuckles, creases, and at the edges of the glove where the snow meets the skin. I layered water-activating instant snow crystals and fine ice crystals onto the palm, wearing the glove as I worked to get those realistic creases. I then dusted the glove in ice crystals and sealed everything with hairspray.
I made a 'Wolf Eyes' stencil out of acetate to replicate a t-shirt design from the film Monster (2003), costume designed by Rhona Meyers. I used this stencil for multiple samples: using devoré on velvet, discharge paste, and puff paint.
These two samples were created by layering a variety of blocks using different amounts of paint each time, to create a natural-looking textural effect. The paint I used was pigment mixed with a transparent base.
This mushroom hand sanitizer case was my first crochet project, which my sister Natalie guided me through.
I started with a layer of physical breakdown, using a pumice stone for texture and a seam ripper for the rags and holes. I then soaked the shirt in Dye-Na-Flow for an uneven heavy tech, then dry-brushed various earth pigments onto edges and holes to emphasize them.
I used the Crazy Quilt method to create this needle case, then embroidered on top of it using some motifs from the mobile game Sky: Children of the Light.
I designed this bag with multiple pockets and compartments to organize my sewing supplies if I needed to bring a project with me on the go. It was entirely made from thrifted bedsheets and scraps from other projects.
A present for my sister; I did not make the cardigan, but I designed and needle-felted the axolotl and its bubbles onto the fabric.
I needle-felted a leaf texture on top of a thrifted pouch, with a fantastical fairy pouch as the inspiration for this project.